HID headlights were just as bad, and those go back to the 90’s.

Definitely worth a try!

That also! My sense is that for the switch it’s basically only limited by emulator compatibility, but for ps3 and xbox one it’s partially limited by the available cpu and gpu power. I may be mistaken about that though, I don’t own a Deck and haven’t tested this stuff myself.

Because being able to play your existing switch games with better performance is a big part of their sales pitch for this, but people were already starting to do that with the Steam Deck. At that point the comparison for the devices would look like:

Steam Deck: Cheaper, more ergonomic, can play more games, games cost less, games aren’t locked to the console, no charge for better performance if you upgrade to new hardware, can play any game from consoles up to some ps3 through emulation

Nintendo: Better battery life, 120Hz HDR screen, has a new Mario Kart and Donkey Kong game

In every other way it would lose the comparison.

With the emulator crackdown, people don’t perceive it that way, because they don’t think of emulation as an option for the switch. (I mean, some do, but even Retro Games Corps isn’t talking about that possibility anymore because of the strikes against his YouTube channel; they’ve greatly reduced the visibility of that as an option.)

For my part, I’m leaning towards sticking Moonlight on my existing Switch and just streaming from my desktop. It’s not elegant, but you can’t beat the price.

The “specific program” I have trouble with is Autodesk Fusion (formerly Fusion 360). There are projects that try to run it through Wine, but there’s a specific function that isn’t implemented in Wine right now that Fusion relies on as part of its authentication service, so it won’t log you in correctly, at least on the default Mint install. I think at least one of the relevant functions is currently in the Wine beta, so it may work again in a bit–I did manage to get it working briefly at one point, but I somehow screwed it up again subsequently. (I may just have forgotten how I launched it…I think I have two versions installed at this point, the Flatpak and the Snap install.) But even when it worked it was slow and janky in a much more severe way than when it runs natively on Windows.

The “specific program” my dad is interested in is Hesuvi, a piece of headphone virtualization software that also does equalization and crossover. At some point I identified a program I though would work on Linux as an alternative, but I would want to test that before committing to switching his computer over from Windows, and I haven’t got around to that yet. Other than that he mostly uses Zoom, and I think I tested that and it worked okay in Mint, though my memory is a little weak on that too.

I dunno. Basically everyone has their own little patterns they use with their computers, and switching to Linux requires changes to those patterns. It’s an adaptation. That’s not to say it’s not worth it–for a ton of people it probably is. But I’m not sure my aging parents can do it, and thanks to Fusion, I’m not sure I can do it either, because I just don’t have a good replacement.

The other option I’m looking into is Windows IoT LTSC. That omits a LOT of the problematic bullshit.

I’ll figure something out before the end of support, anyway.

One use is VR, where the field of view is huge. The industry size and distance recommendations have a TV take up about 30° of your field of view, which works out to 128 pixels per degree for a 4k screen. For a headset with a 100° field of view (most are a little higher than this at this point, or at least claim to be, but it’s a good baseline) you’d be looking at a 12k resolution to get the same level of clarity. But, of course, you’d need to run it at a very high framerate to avoid simulator sickness, whereas 4k often gets away with just 30 fps. Delivering power over the same cable also means just one cable.

Currently there are no GPUs to drive that high a resolution and framerate. But the cable was one limiting factor there, made especially frustrating by nVidia sticking to displayport 1.4 for so long.

Yeah. I’m 100% who Nintendo is trying to lure with this launch, and honestly I’m a little ticked off about it–I’ve really wanted Metroid Prime 4 for a long time, but now it’s coming out and I have to choose between playing an inferior version or shelling out over $500 to play the good version. ($450 for the system, $80 for the game, and compatible SD cards in sizes larger than the internal storage of the new system don’t even exist yet.) So I’m inclined to wait, and see if there are enough good games to justify the Switch 2 purchase eventually, but they’re going to count that as poor initial sales for Prime 4. It might kill the franchise. Replaying some of my switch titles with upgraded performance might have been enough to motivate me to make the move, but they’re also going to charge extra for that. That’s…not great. Nickle-and-diming on top of a much more expensive system with even more expensive games is just ugly.

It definitely has me thinking about getting a PC handheld instead. A lot of what I was picturing was second-screen gaming while watching TV or YouTube, and the Deck is definitely a competitor in that space. There are a bunch of people saying that “oh, the reason you buy a Nintendo system is to play Nintendo exclusives,” which, yeah, that is a selling point, but for the original switch, just being a portable system that played modern games was also a selling point. That second factor is absolutely going up against the Deck, and frankly losing, because Steam has everything. Switch 2 has to go all in on the exclusives, and that’s a much tougher sell, especially since they don’t have the gold mine of good games nobody had played that they had from the Wii U to pad the release schedule.

Maybe they’ll amaze me, but I see them being very unhappy with the revenue from this console in a couple of years, and casting about for stupid shit to blame. And I think they’re gonna blame Metroid. It’s not Metroid, guys. Metroid is great. It’s the pricing.

It’s not unheard of, though. Modern Warfare 2 had only a 70MB file on its disc, basically a license, and required you to download the actual game.

Note I’m not defending this. It’s a nightmare for game preservation and pushes us ever further in the direction of never owning anything. I’m just saying Nintendo isn’t breaking new ground with this particular outrage.

For “listened to a boombox outside,” does it matter whether you did so voluntarily or just heard it because someone else was playing one too loudly for you to ignore? In other words, I’m either 0 or 1.

As kids my sister and I found a set of old 1950’s World Book Encyclopedias that a family in our neighborhood was throwing out. We brought them home on a wagon. We used them for years. They were definitely kinda dated–like, in the article about guinea pigs, it claimed they were the perfect animal for scientific research because they don’t feel pain, which is obviously bullshit and/or propaganda. But that was actually kind of eye-opening for me at the time, because I didn’t have a lot of experience of seemingly authoritative things that were also in error. It still had a lot of useful info, too.

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That’s not how the article describes it, at least:

Essentially it creates a vapour chamber-like effect by using heat emitted from the CPU to evaporate a refrigerant, which then moves up a vapour tube into a fan-cooled condenser, where it cools off, condenses back to a liquid state, and makes its way back to the CPU to be heated again—no pump required.

Which sounds exactly like a heat pipe.

Edit: I guess the difference is that heat pipes use wicks and capillary action to return the liquid phase, where the thermosiphon instead uses gravity, which makes it a little easier to produce and higher capacity, but vulnerable to changes in orientation.

I never actually played Fable 2 (it never came to PC) but 1 was decent for its time, and yeah, 3 kind of fell apart. (You get to what seems like the halfway point, then the rest of the game plays out in a few minutes, entirely through menus, and is super boring.)

But mostly I’m finding it hard to imagine how a new take on this would stand out in today’s market. It’s, let’s see, a third-person action game with RPG elements tacked on. The setting is…generic western fairytale fantasy. I’m not saying the game couldn’t be good, but what would be distinctive about it? Having people call you “chicken chaser”? What is the contribution of the “Fable” pedigree here, apart from Molyneux baggage?

Fair enough. I know that style can be polarizing, it’s why I put that caveat in there.

I really enjoyed Ys VIII (“Lacromosa of Dana”), if you can tolerate the kind of anime-ish story. It’s an action RPG. It’s not especially immersive (very game-y), but it’s got pretty good level design, and the combat is pretty fun, if not particularly challenging (a little button-mashy).

They can’t really keep them in stock, though. I was checking on them shortly before the sale started and the refurbished 64GB LCD models were all out. Now all the refurbished models are sold out.

It’s just as well, though. Between the Switch 2 and the Deckard, I’ve got some other stuff I might want to waste money on this year.

The one I thought was a good compromise was 14 years, with the option to file again for a single renewal for a second 14 years. That was the basic system in the US for quite a while, and it has the benefit of being a good fit for the human life span–it means that the stuff that was popular with our parents when we were kids, i.e. the cultural milieu in which we were raised, would be public domain by the time we were adults, and we’d be free to remix it and revisit it. It also covers the vast majority of the sales lifetime of a work, and makes preservation and archiving more generally feasible.

5 years may be an overcorrection, but I think very limited terms like that are closer to the right solution than our current system is.

It’s a British TV anthology series similar to The Twilight Zone, but most of the episodes are about technologic dystopias

It was in Black Mirror years ago.

I feel like there’s a buddhist lesson about impermanence here.